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Haitians in general are extremely creative when it comes to recycling material of all descriptions to transform it into useful objects again. The realm of art is no exception. Many of Bien-Aimé's cut metal sculptures started their lives as 55 gallon oil drums, or as the sheet-metal on any sort of automobile, bus, or truck from which it could be salvaged after the original function had come to an end. Consequently, the sight of old cars with no sheet-metal on them around Haiti is not unusual; it has been torn off to live again elsewhere in some other role. Old wrecks of cars in Haiti, often left by the roadside where they died, are known as "voitures désolées". This is one good example . . .
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This next one was some sort of small truck or mini-bus, god only knows what happened to it, a mere ghost of its former self . . .
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Another voiture désolée was in the yard of Gabriel Bien-Aimé's workshop, no doubt having served as a source of raw material . . .
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These cinderblock walls were the outdoor gallery where Bien-Aimé displayed his work in February, 1997. Our daughter appearing here was about three and a half. The small rectangular piece just in front of her head of a heron standing on the back of a giraffe is one of a few of his pieces that came home with us. Treasures from an unforgettable trip.
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It seemed incongruous for such beautiful works of art to be displayed on those rough cinderblock walls . . . but that is Haiti . . .
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One of his daughters was as intrigued with a foreign photographer as I was with her . . .
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His truck was emblazoned with his nickname . . . l'Ange Gabriel . . .
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And finally, the artist himself, with one of his sculptures which could almost be a self-portrait. A small corner of his house is visible here. I hope to hell it didn't fall down on him when the earth shook. Our thoughts are with you, Angel Gabriel, aptly named Bien-Aimé... he who is loved well . . .
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